C.M. Ramesh Residence In India Looks More Like A Stunning Boutique Hotel (PHOTOS)



At first glance, this luxurious property located in the Jubilee Hills neighborhood of Hyderabad, India appears to be a high-end resort. In fact, when we saw The Pinnacle List's photos of the 40,000-square-foot four-level structure clad in white marble and filled with plush leather seating, we were ready to pack our bags and make a reservation.
In actuality, this is the CM Ramesh Residence, owned by a prominent Indian familyand located in one of the most expensive residential locations in the country. The home was designed by Krupa Zubin from Zubin Zainuddin Architects and just completed this year.
It is quite a house. 25-foot-high floor-to-ceiling windows overlook a private courtyard and a gorgeous teakwood pool deck. Inside, there are miles of opulence. The bathroom, which may be the biggest we've seen, has two beautiful frosted showers flanking a whirlpool made out of, you guessed it, marble. The best part of the home? A state-of-the-art private theater with reclining seats. You know where to find us.

The Best Telangana Formation Song.. Must Watch


Kadalali Song V6 Exclusive - Teenmaar News



Breaking News: Andhra Chief Minister Kiran Kumar Reddy says he is resigning as the Chief Minister, MLA and member of the Congress.




Breaking News: Andhra Chief Minister Kiran Kumar Reddy says he is resigning as the Chief Minister, MLA and member of the Congress.

Telangana is 29th state of India



At last Lok Sabha passed the Andhra Pradesh Reorganisation Bill and Telangana is 29th state of India.
The drama about what will happen and whether the bill be passed in 15th Lok Sabha, is over. Many political parties started shedding tears and shouting for justice to seemandhra region and more time for consultation. These parties dont feel awkward for lacking proper understanding on the issue but contested 2004 or 2009 or both elections on the promise of separate Telangana and included separate Telangana in the election manifestos. The absurd logic that victim can’t be freed without consent of the perpetrator of violence, has been displayed in myriad colours and shades in Telugu politics. Every political party in Andhra Pradesh intervened to ensure justice to Seemandhra region although they were in support of the demand for Telangana state.
Celebrations of a separate Telangana are affected by the concessions, packages and conditions granted to Seemandhra turning the whole Telangana agitation to be freed from exploitation and discrimination as not that just a demand and also unfair to the exploiter. Seemandhra sections succeeded in having the cake and eat it too.
Seemandhra and samaikyandhra forces became popular across the country for their weird designs and acts in Parliament. Their region is happy with great champions of their cause and success in getting resources, projects for development of Seemandhra region along with protection of their interests in Telangana including joint capital for 10 years. Samaikyandhra leaders also threatened for fight for a separate country of Seemandhra people if separate Telangana cannot be stopped.
The long silence on many critical issues about who is going to be benefited by separate Telangana and why demeaning dependence on the mercy of Sonia or BJP and every possible alliance with every political party over the past decade plus years, has come to an end. That’s one special reason why 18 February is important.
Abandoned Adivasis
Adivasis of Telangana and Seemandhra regions do not have anything to celebrate. Adivasis of Khammam scheduled villages are a sea of sorrow as Godavari river is transferred to the Andhra state and the tribal villages are going to be submerged under Polavaram dam. And these adivasis are disowned by Telangana and invited by Andhra to be submerged. This is a sad day for the adivasis who are divided by Telugu states influenced by contractor interests.

Breaking News: Telangana bill passed in Lok Sabha by voice vote


Lok Sabha passed the Andhra Pradesh State Reorganization Bill 2013 by voice vote. BJP leader Sushma Swaraj spoke briefly and extended her party’s support to the bill.
Celebrations begin in 10 districts of Telangana and Delhi. People burst crackers and distribute sweets.
Voting on amendments currently taking place.
Earlier, the house was adjourned several times as Seemandhra MPs and Ministers continuously disrupted the house.
Heavy security was stationed at Parliament as both Seemandhra and Telangana activists gathered in large numbers in National Capital.

US girl injured after iPhone blasts in her pocket

New York:  An eighth-grade student in the US received burn injuries when her iPhone blew up and caught fire in her back pocket while she was in her school classroom.

The girl, who has not been named, received the burns on the thigh and back when her iPhone started smouldering in her pocket.

The girl, a student at the Middle School of the Kennebunks in Maine was treated at a hospital on Friday.

The classroom had to be vacated when the girl said her pants were burning after she sat down and heard a pop, principal Jeffrey Rodman was quoted by the New York Daily News as saying.

Rodman said the student quickly raced to the corner and took off her pants.

The student was then treated for minor burns and was expected to return to school soon.

Rodman said the girl's pants had multiple burn holes and there was so much smoke in the room that a window had to be opened.

He said the cause of the phone's explosion is under investigation by the state Fire Marshall.

Source : NDTV

Pawan’s team fine-tuning GS2 script




The unit of Pawan Kalyan’s ‘Gabbar Singh 2′ was supposed to start filming from the month of January. It is now February and there is no sign of activity so far. We decided to ask around and find out the reason for the delay. A few enquiries later, we came to know the reason.

The creative team working with Pawan Kalyan and director Sampath Nandi is working on the second half of the film. The original version has not impressed them too much and they have decided to spend some time on making this portion better.

Pawan Kalyan’s career is now at an all time high and he is not willing to take chances with ‘Gabbar Singh 2′. Once the second half of the film is locked, regular shooting will start.

Source : ReleaseDay

This is the most beautiful thing you will ever see.

Cyrus enacts Rahul's interview to a TV news channel

15 Brilliant Supporting Roles of Kota Srinivasa Rao




We owe a lot to Kota Srinivasa Rao for making us laugh, cry and seethe with anger while watching movies. Such is his charisma that he breathes life into even the most mundane of roles. Here is a list of 15 brilliant supporting roles he has played over the years.


MONEY 







Defining Moment : Kota Srinivasa Rao discourages Uttej from getting married 

The whole set up is extremely funny, to say the least. Uttej comes to give his wedding card to Kota Srinivasa Rao, who in turn makes him sit and narrates a story. He's so drunk that he ends up speaking in broken English about the travails of a married life based on his past experiences. The film, directed by Siva Nageswara Rao, was released in 1993 and this scene featuring Kota Srinivasa Rao, Paresh Rawal and Uttej is funny as ever.




AHA NAA PELLANTA 



Defining Moment : Hanging the chicken upside down and eating rice 

Kota Srinivasa Rao defined what a miser should be like in this rib-tickling comedy directed by Jandhyala. One of the film's most memorable scenes has Kota Srinivasa Rao eating plain rice with a chicken hanging upside down right in front of his eyes. If you haven't figured out that it's his version of chicken biriyani, then Brahmanandam's voice-over certainly clears all doubts.





ADAVARI MATALAKU ARDHALE VERULE 




Defining Moment : Kota scolds his son for being unemployed 

It's early in the morning and as usual, Kota's son, played by Venkatesh, gets ready to look for a job; however, he does the mistake of asking his father for more money on that day. Kota gets so angry on his son that he throws the money on Venkatesh's face and tells him he can do whatever he wants to and walks out of the house. This scene lasts for less than five minutes, but the impact lasts for a long time.




LITTLE SOLDIERS 






Defining Moment : Training his grandchildren 

Kota Srinivasa Rao played Major Harishchandra Prasad, a retired army officer, who's devastated after he comes to know that his son and daughter-in-law were killed in an accident. Now, he has to raise his grandchildren on his own, but before he warms up to them, he makes them undergo a gruelling training regime to make them stronger. It's a heartwarming episode in the film.



CHUPULU KALASINA SUBHAVELA




Defining Moment : Kota Srinivasa Rao apologizes to a horse for not giving it a royal treatment 

Kota Srinivasa Rao stars as a descendant of a royal family who hasn't quite managed to let go of his family's legacy. He speaks in pure Telugu which confuses a lot of people around him and several times, he has to translate his words in to English. There's a scene in the film where Kota apologizes to a horse for not giving a royal treatment unlike yesteryears when his family was uber rich.



PELLAINA KOTHALO 



Defining Moment : Kota Srinivasa Rao is the voice of reason 

Towards the end of the film, Jagapathi Babu and Priyamani decide that they no longer want to live together. Soon after their marriage, their opinions and views on how they want to live their lives begin to diverge and in the end, the entire family sits together to find a solution. When all hope seems to be lost, Kota Srinivasa Rao, who plays Jagapathi Babu's grandfather, drives sense into them and tells them that mistakes can be rectified and that they are not the reason to seek a divorce.




IDIOT 


Defining Moment : Kota reprimands his son for getting into trouble repeatedly 

Kota Srinivasa Rao plays a head constable and he's totally vexed up with the antics of his son, Chanti (Ravi Teja). He keeps reprimanding his son for most part of the film and pleads the latter to not defame his name in front of his superiors in the police station. When he finally gets to know that his son and the commissioner's (Prakash Raj) daughter are in love, all hell breaks loose.




CHITRAM BALARE VICHITHRAM 



Defining Moment : Kota gets mighty upset with his tenants 

Subhalekha Sudhakar, Brahmanandam and Maharshi live in Kota Srinivasa Rao's house and one fine day, Naresh decides to move to their house. His first interaction with Kota Srinivasa Rao is a disaster and this leads to great deal of animosity between Kota Srinivasa Rao and Naresh. When the latter sneaks into the house, Kota gets a hint of the foulplay and when he comes upstairs to check what's going on, it leads to a comedy of errors





HAI HAI NAYAKA 




Defining Moment : Kota Srinivasa Rao threatens Suthivelu 

Kota Srinivasa Rao is a rich man who wants a bunch of school teachers to educate his son. One day, a district education officer comes to their village to test the intelligence of the children and he goes berserk after he hears the young boy's replies. Kota Srinivasa Rao reprimands the entire staff in the school for humiliating him and theatrens Suthivelu, the school principal, that if they don't teach his son everything in six months, he'll construct a rice mill on the same location. He uses a lot of cuss words in the film, but everyone he's about to say something, director Jandhyala carefully camouflages it by flashing 'Bhoothu Bhoothu Boothu'. It's a marvelous trick which filmmakers today can use.



JAYAMBU NISCHAYAMBURA 



Defining Moment : Kota narrates stories in Telangana slang 

In this film, Kota Srinivasa Rao has the uncanny knack of narrating stories, films and on one occasion, even Sampoorna Ramayanam, in Telangana slang and needless to say, it's hilarious. Not just that, every time, he catches one person to listen to his stories and by the end of the conversation, they get so vexed up that they vow to never talk to him again.




FAMILY CIRCUS 



Defining Moment : Kota gets humiliated by his neighbours in the colony 

Jagapathi Babu, Roja, Rajendra Prasad star in this film which is filled with dysfunctional families, feminists and children who create mayhem in the colony they live in. Kota Srinivasa Rao played the role of an ex-army officer who is now the president of the colony and every now and then, he gets humiliated by his neighbours. His assistant, played by Dharmavarapu Subramanyam, only makes the matters worse.



SUBHALAGNAM 



Defining Moment : Kota is tormented by his son, who's an aspiring actor 

Kota Srinivasa Rao becomes increasinly concerned about his son's future and one fine day, much to his dismay, his son, played by Ali, decides to become an actor. From there onwards, Ali, along with a director, try to make everything into a scene from a film and let Ali show his acting prowess. Kota Srinivasa Rao becomes a scapegoat and after a point, he completely loses his cool.



AA NALUGURU 



Defining Moment : Kota demands his money back 

Kotayya lends Rs 5 lakhs to Raghu Ramayya (Rajendra Prasad) and the latter promises that he would repay the money promptly. However, Raghu Ramayya passes away all of a sudden and just before Raghu Ramayya's son, played by Raja, is about to set his father's dead body on fire, Kotayya demands his money back. Things take a dramatic turn when Raja is about to leave the place without honouring his father's last words, but the rest of the crowd comes forward to repay the loan. It's one of the brilliant scenes in his highly emotional film about human values.



HELLO BROTHER 



Defining Moment : Kota Srinivasa Rao, Mallikarjuna Rao strike a bond 

Kota Srinivasa and Mallikarjuna Rao could very well be one of the funniest S.I-Head Constable jodis in Telugu cinema. In EVV Satyanarayana's Hello Brother, starring Nagarjuna, Soundarya and Ramya Krishna, Kota Srinivasa and Mallikarjuna behave like Tom and Jerry for most part of the film and in an interesting turn of events, Mallikarjuna Rao is promoted instead of Kota Srinivasa Rao. In the end, their subplot in the film takes a tragic turn which is quite surprising considering how different the rest of their scenes are.



CHINNARAYUDU 



Defining Moment : Q & A between Kota Srinivasa Rao and Babu Mohan 

Kota Srinivasa Rao and Babu Mohan played the roles of washermen in this film starring Venkatesh. Babu Mohan has a bundle of questions to ask about everything under the sun and when he finally reveals the question, Kota Srinivasa Rao is so frustrated that they end up fighting all the time. The questions, along with the duo's expressions, make it worth watching these scenes again and again.



Source : Release Day

Lungi Dance in Rajini Style.. The Best Choreography for Lungi Dance.





Watch Full Video of Lungi Dance Here




https://www.youtube.com/watch?v=JkE9smp8rjs

Source :  Star Plus

Every Indian Should Watch this Video ! I Bet This will Bring Tears in your Eyes !!





Watch The Video Below



Every Indian Should Watch this Video ! I Bet This will Bring Tears in your Eyes !!







Source :  Fearless Indian

Review : A Mild Heart Attack on the Audience






Plot:  The movie starts with a tattoo ad. Sadly, 2 – 3 minutes of tattoo ad for someone who is not much into erotic art is a really tough thing to digest.  The villain, extraordinarily handsome for a villain, runs a kidnapping racket. He starts with paralysing the cop who busts the women-trafficking act, but for some reason decides to shoot an interview even before he hands over the criminals; even before he leaves the crime scene.

Zoom out. Zoom in to Europe. Spain specifically. One small fight, small for the hero’s standards. No, not Nithin. Any Puri Jagannadh hero.  Varun(Nithin) is a traveller, with a fetish for deep kisses, while offering the disclaimer that he is not into relationships and emotional attachment. He sleeps in sleeping bags and does odd jobs to take care of his expenses. Hayati (Adah Sharma) is in Europe to help her cousin with her love story. Hayati’s cousin falls in love with a dark coloured gentleman called Haridas. Brahmandam is an Iskcon head and doesn’t approve of his daughter’s love for a dark man. After a lot of racist jokes, Varun saves the day and convinces Brahmi.

Finally, we have the comic relief out of our way. What a relief! Back to main story. Hayati falls for Nithin, but wants more than just a transient experience. So, after giving Varun a kiss that lasts more than 1 hour, thanks to the timer shown on the screen for the audience’ benefit, she decides he should never show his face to her again.She leaves. He leaves for Romania. New place, new day job, new girl – only this time, he is not able to focus on the deep kiss. Instead, she reminds him, he is in love with Hayati. So, he comes to Goa to look for her. Meanwhile Hayati has agreed to marry Makarand(the handsome woman-trafficking racket head) as a deal, when he agrees to pay the 50 lacs needed for her father’s operation, the same cop who was paralysed by Makarand at the beginning for busting his racket.

Nithin needs money to pay back to Makarand and take back his love. In comes, Craigs’ List. A millionaire’s (Prakash Raj) daughter has been kidnapped and he offers Varun 2 crores if he could get back. Nithin gets assistance from Ali and his wife. Their cameo manages to bring quite a few laughs, adding some value with minimal screen time. The final fight is in a dark dungeon full of white-skinned, drugged girls, ready to be transported away.Varun could have used part of that huge amount promised, to get some goons to help him. But check disclaimer 3. So, all ends well and Varun and Hayati get a fully sponsored pre-wedding honeymoon from the millionaire.

Disclaimer 1: Women are a little too scantily clad in the movie.

Disclaimer 2: There will be tons of ‘gyaan’ from the hero – about men, about women, about life in general.

Disclaimer 3: The hero can fight. The goons can’t.

Disclaimer 4: It is a Puri Jagannadh film. Period.

Verdict: Amidst a whole bevy of coincidences Heart Attack, is a simple love story, with a few twists typical of Nithin’s movies. A lot of them lack punch, though. Nithin is his usual self. Adah Sharma offers a fresh, but no so memorable performance. Brahmandam’s bit was not so good, but Ali’s was. The cinematography is really good and Amol Rathod deserves a pat. The locales helped him well too. The music by Anoop Rubens is ordinary and even commercial songs like Chupinchandey, don’t really manage to get your foot tapping. Selavanuko is the only melody that manages to impress to a certain extent. All in all, it didn’t seem to come from the director of Pokiri.

 Box Office Potential – Medium

From ReleaseDay

11 Hero Monologues that Made us Think




Over the years, Telugu cinema has produced great actors, some of who have frozen time with their acting nous. In the hands of the right auteur, such artists have conjured scenes that stay forever in memory. Here are some good monologues, in no particular order, from heroes in Telugu and bi-lingual films that stand out in our memory.


Bobbili Puli :





Bobbili Puli 
NTR was not just a genius at mythological movies but also in social dramas such as this. In this courtroom monologue, NTR sets the trend of the heroes expressing gut-wrenching anguish over the inequities and injustice of society and the loopholes of the Indian justice system. As a much-decorated army officer, he logically explains what is wrong with the judiciary, a must-watch.

Defining moment – When he admits, he has doled out the punishment to save the face of the judiciary.



Iddaru :





Iddaru 
A classic example of a soliloquy, the symbolic opulence of this scene, where Prakash Raj stands alone in a large chamber, talking to himself is laudable. His plight is in stark contrast to the millions accompanying the dead body of his friend and political rival in its final journey. The essence of the whole political drama based movie, listed in British Film Institute Sight and Sound 1000 greatest films of all time is beautifully captured in this scene.

Defining moment – When he regrets that by getting to death first, his friend has become a legend




Chantabbai :





Chantabbai 
Chiranjeevi’s monologue, sobbing and reminiscing over his childhood travails – the loss of his mother, the pangs of hunger and the agony of harsh loneliness – is a moving depiction of the plight of orphans.

Defining moment – The sight of a determined kid, filling his tummy with water to save money.




Rakhi :






Rakhi 
Rarely does Junior NTR get an opportunity to portray his acting prowess. But, in yet another impactful soul-stirring monologue, he expresses his anguish to Ileana on how women are being tortured, abused, molested and harassed, sometimes by highly educated men in powerful positions.

Defining moment – When he screams asking Ileana who would offer the right reply to the atrocities against women, bringing tears to the audience’ eyes too.



Kathanayakudu :







Kathanayakudu 
A superstar acknowledging a childhood friend’s support and admitting without an iota of embarrassment, the state of penury he suffered early in life, is a theme that always garners attention. That the monologue was from Rajnikant is the icing on the cake. Jagapati Babu, as a listener in the audience, accentuates the effect further through sheer expressions.

Defining moment – When he reveals the name of his childhood friend.




Bommarillu : 






Bommarillu 
This monologue from Siddharth has to go down as one of the classiest pieces of dialogue-delivery in Telugu cinema, neither too loud nor too soft, neither monotonous nor overtly dramatic. It expresses the complications of a father-son relationship where too much love could also lead to too much pain.

Defining moment – It is hard to find a Telugu cinema-goer from the present generation, who hasn’t seen ‘Antha mere chesaru’ dialogue even once.




Gamyam :



Gamyam 
The aptly named movie portrays the transformation of a young, purposeless, rich kid into an empathetic and socially responsible citizen, thus helping him eventually woo the muse who makes him embark on this journey. This scene does a fine job of summarizing the hero’s travails, the lessons he learnt through the odyssey and sojourns involved in a road trip, looking for the love of his life.

Defining moment – When he doles out the ‘Premanu preminche prema’ line.




Shankar Dada MBBS :  




Shankar Dada MBBS 
An emotional outbreak from Chiranjeevi in an emotional roller coaster of a movie, this monologue has Chiranjeevi talking about the need for humaneness in doctors as they treat their patients.

Defining moment – When he recollects the dying moments of his friend Thomas, who calls him god.





Suswagatham :




Suswagatham 
Pawan Kalyan’s calm but furious outburst, voicing years of wait and frustration, is a trendsetting scene, an anti-climax of sorts that reciprocated the ethos of a generation of rejected lovers.

Defining moment – When he says he doesn’t need the love that can be won over only after he loses everything.




Aparichithudu : 



Aparichitudu 
In a once-in-a-generation movie, Vikram delivers a stand-out performance to a jam-packed gallery, touching on the theme of moral responsibility of every individual citizen towards the country.

Defining moment – When he shows the audience what he did with the indolent person in the park





Tagore : 





Tagore 
This trendsetting movie needed a powerful climax. Chiranjeevi’s courtroom tirade elevates the screenplay to a higher plane, expressing the common man’s anguish and anger in unequivocal terms.

Defining moment – When he accepts the judge’s offer to take oath on his conscience instead of Gita.





Source : ReleaseDay